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Don't have an account? A former member of the Paris Surrealist Group and co-founder of the experimental theatre group Panique, Arrabal drew on his childhood experiences in Spanish-controlled North Africa during the s to create two searing, surrealist-inspired films melding autobiography and history.
This discussion also explores the efficacy of his deployment of shock tactics as an attempt to provoke a political response from the audience. Dance has always been a method of self- expression for human beings. This book examines the political power of dance and especially its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement using dance to protest against gendered violence, dabkeh in Palestine and dance as protest against human rights abuse in Israel, the Sun Dance within the Native American Crow tribe, the book focuses on the political power of dance and moments in which dance transgresses politics articulated in words.
Thus the book seeks ways in which reading political dance as interruption unsettles conceptions of politics and dance. This book charts and analyses the work of Oliver Stone — arguably one of the foremost political filmmakers in Hollywood during the last thirty years. All of this is explored with detailed reference to the films themselves and related to a set of wider concerns that Stone has sought to grapple with -the American Century, exceptionalism and the American Dream, global empire, government surveillance and corporate accountability.
This book offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British film history. The book features personal insights from those inidividually implicated in s cinema; Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the BFI on archiving and preservation. Raymond Durgnat's A Mirror for England: British Movies from Austerity to Affluence , which deals extensively with British films of the s, was written in the mids and was published in In a article called 'Angles of Approach' Lindsay Anderson delivered a fierce attack on contemporary British film culture, outlining a model for a devoted politics of creation, well in line with what we would later understand as auteurism and art cinema aesthetics.
The war films of the s together constitute the assented-to record of the emotions and moral judgments called upon to set in order those disorderly events. A number of factors have contributed to the relative neglect of the s as a decade in British cinema history. You're not logged in. Advanced Search Help. David Archibald. Surrealism and the past. Fernando Arrabal and the Spanish Civil War. Abstract only. Log-in for full text You are not authenticated to view the full text of this chapter or article.
Password Please enter your Password. Forgot your password? Rights and Permissions. Print Save Cite. The war that won't die The Spanish Civil War in cinema. Related Content. Dance and politics Moving beyond boundaries. Author: Dana Mills. The cinema of Oliver Stone Art, authorship and activism. Authors: Ian Scott and Henry Thompson. British cinema of the s A celebration. Editors: Ian Mackillop and Neil Sinyard.
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Surrealism and the Spanish Civil War
Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. His best-known work, The Persistence of Memory , was completed in August , and is one of the most famous Surrealist paintings. He returned to Spain in where he announced his return to the Catholic faith and developed his "nuclear mysticism" style, based on his interest in classicism, mysticism and recent scientific developments. He also wrote fiction, poetry, autobiography, essays and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. To the dismay of those who held his work in high regard, and to the irritation of his critics, his eccentric and ostentatious public behavior often drew more attention than his artwork.
Stefan Bronold Jr — Radical Guzzi workshop. Stefan Bronold Jr — Radical Guzzi. Il presente documento contiene la descrizione di tutti i trattamenti effettuati dal Titolare, come di seguito definito, tramite il Sito Web. Si tratta di informazioni che non sono raccolte per essere associate a interessati identificati, ma che per loro stessa natura potrebbero, attraverso elaborazioni ed associazioni con dati detenuti da terzi, permettere di identificare gli utenti. Natura del conferimento: Facoltativa. Base giuridica del trattamento: articolo 6, paragrafo 1, lettera b , GDPR.
Request PDF | On Sep 1, , Michele Greet published Surrealism and the Spanish Civil War | Find, read and cite all the research you need.
Skip to main content. Please ensure you're using that browser before attempting to purchase. Description Reviews Awards. Out of Print How might artistic practice offer unique insight into the cataclysmic debacle of war? Surrealism and the Spanish Civil War plumbs this provocative question through an ambitious account of a pivotal period in European cultural history.
Written in English. The book focuses on the relation between artistic endeavor and politics Surrealism and the Spanish Civil War book a period of social crisis. Surrealism and the Spanish Civil War is an ambitious and satisfying book, divided into seven chapters, Surrealism and the Spanish Civil War book beautifully illustrated al though the photographs from the civil war would have been more effective had they been discussed in the text.
Don't have an account? A former member of the Paris Surrealist Group and co-founder of the experimental theatre group Panique, Arrabal drew on his childhood experiences in Spanish-controlled North Africa during the s to create two searing, surrealist-inspired films melding autobiography and history. This discussion also explores the efficacy of his deployment of shock tactics as an attempt to provoke a political response from the audience. Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
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