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- Arnold Schoenberg
- The Musical Idea and the Logic, Technique, and Art of Its Presentation
Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Severine Neff ,. Patricia Carpenter Editor.
This treatise relates Schoenberg's concept of the musical idea. It defines his thought on gestalt, motive, grundgestalt, phrase, rhythm and accent, the construction function of harmony, homophonic and contrapuntal forms, and compositional coherence.
Get A Copy. Hardcover , pages. Published December 7th by Columbia University Press first published More Details Original Title. Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 4. Rating details. All Languages. More filters. Sort order. Robin Boudreaux rated it it was amazing Mar 20, Nathan rated it really liked it Oct 06, Ryan rated it it was amazing Jun 17, Dustin Kick rated it liked it Nov 15, Pasquale rated it it was amazing Mar 17, Dr Soheyla rated it it was amazing Jan 29, Clinton LeFort rated it it was amazing Jun 01, Suzzanne Bloom rated it really liked it May 04, Christopher Leinhart marked it as to-read May 01, Eric marked it as to-read Feb 15, Gloria marked it as to-read Mar 02, Anastasya Koshkin added it Jun 19, Chris marked it as to-read Sep 28, Gemseeker marked it as to-read Oct 10, Alfredo added it Feb 25, Alex marked it as to-read Mar 06, Ilya Hoffman marked it as to-read Jul 07, Nathan Jumper added it Aug 05, Jan-Bas Bollen is currently reading it Aug 24, BookDB marked it as to-read Sep 29, Erik Lind marked it as to-read Oct 06, Brenna marked it as to-read Jan 18, Tommie Watson marked it as to-read Aug 03, Nick Lange marked it as to-read Sep 19, Francisco marked it as to-read May 20, Vhincent Crolet marked it as to-read Jun 01, Charles Hebenstreit marked it as to-read Nov 21, Arun San marked it as to-read Mar 16, Nick marked it as to-read Mar 21, Isaac marked it as to-read Feb 04, There are no discussion topics on this book yet.
About Arnold Schoenberg. Arnold Schoenberg. He was an Austrian composer, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. Schoenberg's approach, both in terms of harmony and development, is among the major landmarks of 20th-century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking or, in some cases, passionately reacted against it.
During the rise of the Nazi Party in Austria, his music was labeled, alongside jazz, as degenerate art. Schoenberg was widely known early in his career for his success in simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner.
Later, his name would come to personify pioneering innovations in atonality that would become the most polemical feature of 20th-century art music. In the s, Schoenberg developed the twelve-tone technique, a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale.
He also coined the term developing variation, and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenberg was also a painter, an important music theorist, and an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, Egon Wellesz, and later John Cage, Lou Harrison, Earl Kim, and many other prominent musicians. Many of Schoenberg's practices, including the formalization of compositional method, and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century.
His often polemical views of music history and aesthetics were crucial to many of the 20th century's significant musicologists and critics, including Theodor Adorno, Charles Rosen, and Carl Dahlhaus. Books by Arnold Schoenberg. Related Articles. Read more Trivia About The Musical Idea No trivia or quizzes yet. Welcome back. Just a moment while we sign you in to your Goodreads account.
It has tended to place emphasis on how music is structured and how that structure is unified; there has been less concern with why such unity is important in a broader sense. I do not really imagine that there exists a secret room — somewhere at Mannes, for example, that being the Mecca of our movement — in which fanatical Schenkerians plot new conquests. Nor do I believe that there is a map in that room with pins stuck in it, each pin representing a music department or conservatory at which Schenkerianism is propagated. But it is at least not too difficult to imagine what such a map would look like; and, wherever it might be, it is certain that the number of pins in it is steadily increasing. Clearly, the Schenkerian empire is still in its expanding phase. And if so, have they too been transformed? While Schoenberg is most often celebrated primarily as a composer — indeed as one of the most consequential composers of the twentieth century — his compositions will be considered only peripherally in what follows.
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Arnold Schoenberg. The Musical Idea and the Logic,. Technique, and Art of Its Presentation. Edited, trans- lated, and with a commentary by Patricia Carpenter.
The Musical Idea and the Logic, Technique, and Art of Its Presentation
Patricia Carpenter — , a music theorist, was a professor of music theory at Barnard College and Columbia University. Her areas of scholarly interest included music theory , the history of music theory, musical analysis , and the aesthetics of music. She studied several instruments, primarily piano with Ethel Leginska , as well as percussion, bassoon, and conducting.
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By Arnold Schoenberg. Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff. Bloomington: Indiana University Press, ISBN In Columbia University Press published this important work—and saw it rapidly go out of print. For reasons not known to this reviewer, and despite the clear evidence of an eager readership, the book was not reprinted. Eventually the copyright was transferred to Indiana University Press, and so once again it is in circulation.
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